usa s warren harris aka hanna joins the flumo crew with a 5 track signature ep. known for his own jazz influenced melodies and hard punching broken house rhythms, as well as, collaborations with other prolific artists such as theo parrish and involvement in rotating assembly and key of soul projects. for this e.p. hanna continues exploring the depth of his imagination, challenging his creative output by melding together these trademark sounds alongside ones yet to be discovered by the listener. hanna s well known broken house rhythm is preeminent, with dreamy and melodic keys enhancing the spiritualistic aspect whilst maintaining a catchy groove. all tracks explore the layering of sounds and find ways of keeping such exploration fresh and different from one track to another. 12 inch black vinyl in a plastic sleeve with a printed insert.

next up on francis harris exceptional imprint scissor & thread comes a collaboration with american producer, dj aakmael. aakmael has built a reputation for some of the deepest, rawest house music sounds coming out of the states, releasing well-received tracks on the likes of freerange records, release sustain, kolour dogmatik and ndatl. returning to scissor & thread, aakmael and label boss harris cook up an intoxicating vibe across this 5 track ep. each shares a track and work together on the fifth, while also remixing each others solo cuts. first up aakmaels deep muzik- a quintessential nod to its self-proclaimed mission statement. skittering drums, a shuffling groove, deep keys, and chords make up this essential opener. franks (aka francis harris) all that light mix shows another side, finding pockets of space and developing the fizzing percussion to produce an equally affecting piece of dancefloor bliss. sharing production duties from the outset on mercy of means, the guys slip into an easy mid-tempo groove with plenty of depth - the rhythm rolls along and offers the perfect basis for some sublime melodic touches. franks part song also hones in on the subtle deep grooves. bumping, slightly filtered and saturated drums provide the main body, with beautiful washes and keys finding their way through, aakmaels remix beefs up the groove somewhat, making the snares snap harder and kick hit a little stronger, but the essence of the tracks melodic atmosphere remains perfectly in place.

* after the feature -silent singer- on stonedwave007, the unique scottish producer chordata shows a huge range of variety on this debut ep, telling skillfully a story consisting of six chapters. what to expect: electro from scotland based on ancient myths as indicated by the cover artwork with a double raven and celtish knotwork. the ghosts are in the machine and they are spawn by classic 808 drumbeats which form the rhythm for the actors which tell their story in the shape of playful melodies, rave signals, robot vocals and acid lines.

ultra limited christian morgenstern collection incl. 8x 12 inch vinyl + poster .. christian, we will always remember you .. here you will find rare tracks from the legendary lydia lp and many more

with a 3rd release on that s a steal, this mysterious label just keep on delivering... crossover sounds from all over the world united by an open-minded approach to the dancefloor. this time all of the tracks originate in india, opening with a disco bomb of hey hey and continuing with the heart crushing slow jam of commando. bhangraman on b1 combines mid-east synths, proto-house 707 rhythm with a mid east melody, uplifting chants to later develop into chicago style piano solo as a cherry on its pie. the closing number offers you early 90 s breakbeat with freaky scratches to go real wild!

after two incredible eps, wayne snow the nigerian-born, berlin-based vocalist and songwriter now presents his debut album on tartelet records. freedom tv is the natural sequel to the max graef produced tasters red runner (2014) and rosie (2015) a project marinated in afro-caribbean, soulful grooves and topped by waynes effortless falsetto acrobatics. as the title suggests, freedom tv is an album with themes of liberty, struggle and creative identity pumping through its veins. within ten tracks, snow fluently meanders between musical styles: from low-tempo soothers like album opener cooler and fall to the syncopated bruk of the rhythm and cosmic funk escapades found on nothing wrong. production comes from three varied and solid sources. the tag-team between snow and fellow berliner, max graef

mighty dnaondna (heteroerotic asphyxiation, oiwa) manufactures strictly strictly s magical 3rd release and offers nothing than power, power, power: erratic opener the//grind pushes you into the flow with restless uk-ish breaks before haifa slaps you hard with its violent rhythm and epic bassline. don t move on the b-side chases you with its 145bpm acid breaks to finally eject you struggling for breath. a dangerous adventure!

ltd to 300 , gen ludd are glasgow-based rich mcmaster (golden teacher, modern institute) and tom marshallsay, both of whom are a big part of the extended rubadub family. their music perfectly embodies the rubadub ethos of music for heads and feet. after months of negotiations with our minister of finance hillington west snr, tafknagl (that artists formerly known as general ludd) return with four precise cuts of pure rhythm and motion. these tracks are a message to the ramona-toting, gymnasium-powered international dance deejay. please be bold enough to play them... you’ll make the world a better place. we’ll give you free wavs too

bass culture welcomes frenchman leo pol to the fold for this fresh new four-tracker full of analogue vibes. leo s penchant for synthesisers and the warmth of his beloved machines is evident throughout this new release, with a retro soul spliced with modern sensibilities and, of course, visions of the future. things get off to an energetic start with caliente , a track that combines a killer main riff, scintillating pads and steam-powered percussion to really get those feet moving. this is followed by fnc burning , which totally slips the script with its off-kilter rhythm and uk-influenced breakbeat-esque sound. get ready for a sublime breakdown, with more uk rave stylings in the second half... fresh!on the flip side we get dark outside, which harks back to the early days of post-electro detroit. those formative years when masters like juan atkins were the soundtrack of motor city... from the hushed, silky vocal to the cosmic bleeps, this is a homage to the ghosts of techno s past, with a contemporary sheen.finally, we finish up with techyes no! , a dark, marauding stomper with a menacing atmosphere and spinetingling strings to really amplify the eerie feeling that pervades throughout. a diverse, yet cohesive collection of killer cuts from the young master leo pol and another superb bass culture release. only the finest from d julz s excellent label...

violet-the color of royalty and majesty, of dreamy and calming consciousness…here translated to a spirited collection of absolute music drivetrain (detroit, usa) – “breathe” derrick thompson engineers another captivating late night soul-bender. a commanding filtered bass groove, dominates melodic chord progressions with accentuating dynamic percussion and spicy vocal support mattimoe-perrine (toledo, usa) – “llucid” nathan mattimoe and todd perrine return with a composition of charismatic rhythm intelligence. as the journey builds, the elements become more intense, evolving to a vocal crescendo of synthesized deepness trecci (paris, france) – “sagami” soiree proudly welcomes trecci and his tribal inspired floor filler. drum manipulation integrates with vocal energy to ultimately dissolve in a hypnotic, quintessential string refrain funtom (zagreb, croatia) – “french connection” another newcomer to soiree, funtom musically animates the essence of high-tech sensuality. an alluring female voice subconsciously unveils a bed of infactuating pads, stabs and inflections

exactly one year after their sold-out debut album zest, die orangen (aka dreems & kris baha) are zurück! malka tuti and die orangen have concocted a double dish, a two part remix package, saft 1 & saft 2. the first part consists of a new live version of the track yaranabe, recorded in a live session as part of the duo’s infamous analogue live act. a2 is tapan’s remix of metal man. the poem-not-poem is taking shape as a low bpm banger when tapan’s heavy signature kick meets those trippy vocals. this is tapan’s first track to be made after finishing their debut album last year on mt, and its an interesting evolution of their sound, slow dark and punchy, yet with these vocals and bassline, also a catchy post-pop track for the later hours. on the b-side lies gordon pohl’s reimagination of mersey river (aka “the platypus track”). the tracks “epic-, long slow ambient opening and evolution into rhythm resembles in many ways the psychedelic collaboration works of the late pete namlook & move d on namlooks own fax records, which was always a significant influence on the malka tuti world.

killer previously unreleased roots from the vaults of randys studio 17. in the mid 70s carol kalphat sang harmonies on max romeos if them ever, produced by clive chin at randys. at the same time however, she cut her own tune on the rhythm, also an indictment of the failures of the political system at the time. now released for the first time ever, backed with a raw rhythm version.

ron trent meets skymark! two masterminds at work. the organic meets the electronic - musician meets machine. pressed loud for optimum dj play. summer is happening... big tip! . ron trent takes on the mighty skymark original, and elevates the listener to a whole other place like only he can. trent treats us to one of his deepest, dubbiest jams in recent years - embracing the strength of the song while interweaving his own rhythm throughout. the original track, here on the flip, featured on skymark s 2015 wave from the nucleus lp- a beautiful song from the sun-kissed swiss musician and producer who resided in rio de janeiro for many years, and now in barcelona. a real meeting of minds. both artists express their love for the deep and organic, incorporating brazilian sounds, gospel, disco, jazz and soul in their music. their similaraly detailed approach and ideologies blend perfectly on this 12” release.

after 4 years promoting events and spreading happiness all over france, it’s time for the lyon based crew to extend its artistic vision through their own label. if you’ve already been to one of their parties you know what to expect. if not, look forward to the happiest vibe around!

a young french artist based out of paris from corsica, it is from behind her drumkit that charlotte debuts in music. with her first ep, she plunges us in her music s universe. her first track, 777, eponym of the vinyl, along with largo, reflects her melancholiac side combined with an acoustic breakbeat rhythm borrowed from her 90 s influenced. the other tracks, mela & saint marc, show her love for a brutal dancefloor with acid wave inspirations.

synkro aka joe mcbride teams up with veteran arovane aka uwe zahn for a sublime collaborative ep on apollo. refractive (index) sees the duo exploring their shared love of broken beats and dreamy soundscapes. the pair are also connected through their affection for yamahas venerable handheld sequencer, the qy700 (also a favourite of dutch lo-fi house master legowelt) arovane a long time stalwart of the acclaimed city centre offices imprint explains: everything started with a detail in an interview with joe that grabbed my attention. i spotted a qy700 sequencer from yamaha on one photo. i used this piece of gear for decades to sequence all of my hardware and to produce my music. its part of my trademark sound of rhythm programming. one of the factors that makes the qy700 beloved is its ability to change parameters in realtime to shuffle, shift, expand or compress the timing of each pattern independently. its touch can be felt throughout the oscillating rhythmic figures that wend through the gauzy pads and drifting melodies. we share the same wavelength when it come to breakbeats, musical taste and melodies, arovane continues this ep is the beginning of something special!

1 copy per customer!! everybody s favourite parisian party fiends are back, polishing up another batch of patchy pound bin finds and not-on-discogs delights for your next summer soirée. putting their orange-eagle eyes to good use, the lyo crew have trawled the crates of europe and beyond for this sunkissed set, working the scalpel to the max to pack the dancefloor in arms aloft ecstasy. our party starts with the kwaito groove of -avidiyo--, a killer bit of late 80 s afro-action boasting synth marimba, alien bass blasts and life affirming vocal chants. not only is this cut moving in the ants-in-your-pants/dancing-like-a-madman sense, but its sting-on-safari emotion and clarinet solo could bring a tear to a glass eye. cartwheeling between aspirational jazz-funk and afro-cosmic, yanga mbiwaa makes its way to the heart of the party like a bewildered parisian at an ivorian wedding. as tumbling toms rumble like thunder on the serengeti, an oddball exotica chant encourages the nearby wildlife to shake a tail-feather to the club tropicana guitars and buzzing synthbass. at last you have something to keep quantum jump s lone ranger company! last but not least comes autoradio , a very well mannered monsieur living the french highlife by the sea and sun of the mediterranean coast. effervescent afrobeat guitars and swooning sax dance over a rolling rhythm section of buoyant bass and 80s percussion, while a spoken vocal drawls in your direction and the girls ask if you re ok. it s only when the pinging, ringing, madly modulated bass breakdown bounds through your surroundings that you ll wonder who slipped what in your drink...

pure rhythm & groove adventure reflecting on uk bass related beat science & dub reggae roots

the debut release of new artist in san francisco on endless flight.
after we received his debut 7inch release on lips&rhythm records, we contacted him immediately….
summer feeling barealic tropical tunes.

we share with kaffe crème, a penchant for side roads, for mixing textures and visiting other territories. if house music is at the heart of our project and history, it is often just a medium to cross the path of genres and bringing into some of our other tastes like here jazz, broken beat or hip hop.after his remarkable debut ep in 2016 which was containing the staggering beauty kapo choc that still resonates every weekend in many clubs around the world, we are very happy to welcome, the lyon-based kaffe crème for our fourth release. you ll find there everything you loved about his debut ep, which means, a beautifully produced organic and dusty house music that make a leap into contemporary jazz (i <3 u) and dig into warm finely mpc-sliced syncopated beats. but you ll also find an astonishing broken beat song (umusa) that show all the former-percussionist s talent for making sophisticated and ambitious jazz-infused rhythm compositions.

out-er sub-label pregnant void is proud to announce the release of hi.mo’s debut album “urtiis”. landing on double vinyl in june 2018, it is a fantastically absorbing showcase of the italian’s weird and wonderful fusion of various strains of sound from jazz to hip hop to classical. “the alteration of conventional musical patterns thrills me”, says the artist who is classically trained in piano and uses that knowledge to play with rules, structures and forms. influenced by idm, african drums, jazz and the interplay of chords, rhythm and harmony, hi.mo infuses his electro-acoustic productions with found sound samples and analogue and digital tools. this is a spelling-binding and intimate album that is filled with invention, but never at the expense of the overall experience, which is beautiful and beguiling throughout.

catalog number-yotsume 002- used as a missing number in long years is released as the 5th work of sasaki hiroaki’s yotsume-music. this “winter ep” is sasaki’s latest release.it includes a remix by stewart walker who is a berlin based producer and based on experience releasing distinguished labels such as force inc, tresor, m_nus. starting from sasaki’s track a1”winter” has a long dubby bass, a pad sound is covering this euphoric minimal work which rhythm comes and goes like a returning wave. it likes snowscape of japanese ink painting. b1”stewart walker snowflake mix” is a reconstructed “winter” landscape and soundscape by stewart walker’s minimalistic approach.the grain of the sound with the three-dimensional feeling scattered on the low-frequency, it conjures images of the snow piling over the white, chill earth.b2”over” shows the another aspect of sasaki’s emotional side. it has a simple but selective rhythm and matter-of-factly composition of piano and pad sound, which makes us feel the end of a long journey. it s quality and brilliant minimal house release is shown how each of these three tracks differ this time. vinyl only.

following the success of joey negros produced with love album, four of the album cuts get the remix treatment from an all-star cast of producers each with their own particular flavor. kicking it off chicago legend ron trent takes the original funked out, arthur russell flavoured, distorting space time and turns it into a deep house groover complete with a strong walking bass alongside adding a soul & richness to the elements that only he knows how. crackazat step up next to take on lactican boogie crafting it into an uptempo piano driven, emotionally charged stomper sure to do some damage this summer. flip it over and lay-far delve into in search of the dream adding squelchy synth stabs and a deep bass to give a more hard hitting edge to the track whilst retaining that disco flavor with angela johnsons emotive vocals. closing out the ep fouk come full circle, bringing their hazy, jazz tinged style to distorting space time building the remix around those warm rhodes chords, shuffling rhythm and dynamic bassline. gold once again from the z records camp!

a wild electro / trash techno ep with full of heart and emotional feelings. its wild when it comes to the rhythm section, classic electro but also real punshing 4/4 beat. emotional when it comes to the melodies - so so sweet!!

dutch label field records is back with another special album project, this time from japanese producer ena aka yu asaeda. bridge is an introspective soundtrack for a documentary also called bridge - out this spring - which is about the dejima bridge, a reconstructed symbol of the dutch-japanese trading history in nagasaki, japan. the album finds the producer stepping outside of his usual remit of dark ambient and experimental music, and instead comprises ten shorter tracks that touch on abstract and rhythmic sounds that define the essence of japanese culture. although he has worked with the director before, this is ena s first original sound track and finds him freely inspired by the movie and heading in exciting and unknown directions. hugely atmospheric throughout, there is hypnotic repetition of sounds, strange audio design and a mixture of melancholic moods with more dreamy synths. sometimes gloopy rhythms gently ripple beneath soothing harmonies and at others times a micro-rhythm appears through the constantly shifting and evolving found sound loops. it s a compelling and unusual album that seamlessly mixes human emotions with a mechanical sense of industry.

from conrad schnitzler in the 1960s to the pioneers of detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into japanese electronic music equipment. with his new piece the metal beat ep, credit 00 wants to get in line with this tradition of transforming factory sounds into music. each of the three tracks reflects on the role of the human being in an industrial environment. the never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. the blues played by machines--modern work songs for a post-industrial society!

soul sugar drop their own reggae version of marvin gaye’s -i want you-. french outfit soul sugar – the brainchild of guillaume “gee” metenier – deliver yet another soulful reggae 12”, this time a cover version of marvin gaye’s 1976 classic -i want you-. jamaicain native leonardo carmichael sings lead vocals and legendary drums and bass duo sly & robbie add their flavor to the mix, with two versions on side b. marvin gaye’s single -i want you- was a big step forward for his sound & vision and marked a change in direction – from hip motown soul to a more sultry, disco sound. marvin s vocals are notably intimate and the lyrics are more explicit, more personal. an original soul classic, -i want you- is memorable for its unique combination of lush harmonies, a mesmerizing groove and the apparent sexiness of the theme itself. soul sugar s discomix version combines a smooth mixture of reggae, soul and funk over beefy bass lines, designed for heavyweight sound systems. sly & robbie, rhythm duo known for their studio work on countless reggae classics since the 1960s deliver their version, taking us back to the golden age of reggae, the days when it was typical for jamaican musicians to record their own versions of american soul tunes ... ace producer jahno dubs the mix live and direct to tape, from his very own n.o.f studio

500 copies, 12 inch 180g hand stamped, individually numbered records, single press only... feat private agenda (jay shepheard & coyote remixes)

label boss yse is back on pft with the long anticpated follow up to his gesamtkunstwerk ep which made it into kai alci s best of 2015 chart. if you have been following ant plate s productions under his various guises (yse, yse saint laur ant, rhythm plate, vengaboys) you know what to expect - deep, quirky, innovative house music that sounds like nothing else out there. this ep doesn t disappoint - the grooves on here are impeccable from start to finish. opener unstoppable builds the tension nicely with nagging strings and chords before letting loose with the drums. sun shadow was actually selected by red rack em as one of his best of 2017 despite not even being released. now that s literally being ahead of your time. the robot boogie of all we are is guaranteed to stop heads on the dancefloor with it s unique vocal and syncopated shuffle. closing track you told me slows the tempo slightly and is one for the deeper moments.

spanish label night shift welcome belgian duo chasse to drop some seriously classy dancefloor jams for those who really know how to move. pilot is an effervescent cut that places musicality at the front of the mix, all nimble keys and live drum funk of the highest order. dig him is an uplifting disco workout that loops it up in all the right places, and oh franck pumps the rhythm section a little more to head towards the house heads. in your stride is an unabashed reworking of boogie nights that takes on a dreamy quality as it chops the original into a fresh configuration.

next up for rhythm sections club focused sub-label international black 004 is here and it is bringing the heat - this time from tennessee, usa. mister saturday night and cgi affiliate alex falk delivers a 4 track ep made with one thing in mind the dancefloor. taking influence from the likes chevel, levon, redshape and phase, alex falk achieves a singular vision merging american and european styles of techno. opening with upp, an effortless techno groove with a tight rolling bass line, classic lead stabs that pulsate, twist and turn as the heavy kick punishes the subs. beta comes in next with a serious low end bounce a distorted bass bump pushes the system to the max before being followed up by lower sub all swinging around a fat house kick and tight percussion another club stomper for the serious rigs only. the b side is a proper dub techno workout.

super rare and killer alric forbes 70s roots, only ever released on a mis-labeled pressing! the rhythm will be familiar to deep roots aficionados as the same one used for sydney wilson s -why do i cry.- a co-release with our french comrades onlyroots, who have already reissued a pair of classics from alric, -morning train- and -warn the nation.-

more from the vaults of uprising with some previously unreleased dubplate mixes. the vocal cut is an alternate take with slightly different lyrics over a more raw, spare cut of the rhythm, sans synthesizer, which has been rarely, if ever heard. the dub mix on the flip was played on dubplate by jahlovemuzik back in the mid 70s. when one mix of a great tune is not enough, dkr is there.

finally realized, here s one that was long on the dkr wish list. among the very finest moments from both artists, these brilliant interpolations of curtis classics have been unavailable too long. a mesmerizing rhythm adorned with the lovely sounds of hand drums, melodica and flute, mixed and dubbed to perfection by king tubby himself. this 12inch is a 6 track ep, with all four cuts as originally released on two separate 45s, plus two unreleased mixes straight off the original tapes. we like to think tubbs favored these cuts, as so many mixes were done! the dub titled super cool is, in our humble opinion, one of tubby s top 10 extant mixes. full disclosure, all tracks except super cool pt. 2 come from the original jamaican mastertapes. we suspect the pt. 2 mix was lost somewhere in nyc, but don t let that trouble you, this one should please all who have ears.

parisian dj and producer armless kid joins radio slaves rekids this june with five smooth house cuts. armless kid started his career in paris house circuit with respected collectives like la chinerie and copie blanche. having released on the copie blanche label, hustler trax, fina and classic music company, hes received regular support from names like dj harvey, karizma, the black madonna, voyeur and fred everything to name a few. kicking off the package, troisième acte mixes warm pads, cosmic synths and rattling organic percussion before the up-tempo abdos fessier delivers infectious two-step drums and scintillating chord stabs. jojo on the moon is next with its disco vocals until air combines thumping kicks with a pulsating sub and mesmerising atmospheres.finally, this generation utilizes a shuffling rhythm with a trippy spoken word vocal to round off the release.

oertmek comes back round, presenting another vinyl only pressing of three invaluable edits of vintage turkish funk, rock and disco delicacies. following the raw, percussive experiments of the first release. opening track Özil dans rains down crashing cymbals and freak-out-worthy wah guitars, maintaining an irresistible and authentic groove that doesnt falter for five minutes of eurasian hypnosis. dokuz sekiz weaves traditional string elements alongside bursts of wild chanting. finally, mozart in davul stitches a frantic, dense rhythm from the fuzz and feedback of an unknown slab of turkish psychedelia

the final release on freakout cult with a fulminant double vinyl from dj fett burger and stiletti ana.

cleveland is forever in search of the brown note. this is his second offering for the esp institute. side a’s tusk is a beautiful paradox—rhythm programs that churn like the inner workings of a grandfather clock, unmistakably mechanical, yet fashioned through muted analogue instrumentation that paints a deceptively organic picture. the crystallized jangle of fm synth voices toy with the softened drum patterns and vibrant animal-like chord gestures over nearly seven minutes of splendor. on side b, aku digs further into mysticism, manifesting digital jungle themes, cleverly abstracted through erratic bleeps, distant tribal drums, atonal flutters and synthetic bird calls. the cinematic quality of clevelands production shines through both tracks, but its aku that sweeps us from reality to embark on a moonlit expedition in search long lost treasures, proving cleveland a virtuoso skilled in building complex narratives with sound. these two songs will modulate your frequencies.

ltd 7- release with classic chicago house music >>>>
there’s a reason why so many of house music’s early releases have endured over the decades. the best of them have a quality that defies logic. early house records like heard s own -washing machine,- or the -no way back- by adonis, still have the power to stun listeners and drive clubs wild. they sound alien and beautiful, simultaneously ingrained within us and so unlike everything that followed. and few sound as beautiful, or as alien, as -can you feel it.- by 1986, heard—who was born and bred in chicago and been playing in bands as a drummer—had already proved to the world that he was a master of poignant, enthralling house. the previous year’s elegant “mystery of love,” originally released on alleviated records, had featured an insistent ascending bassline repeating under a plaintive, swooning analog synth, with a gentle, conga-led rhythm setting the pace. it was soon rerecorded in a slightly more fleshed-out style, this time featuring frequent collaborator robert owens on vocals—”there’s a moment in our lives when we all must try the mystery of love”—and rereleased on d.j. international.

soul jazz records’ new boombox 3 continues the story of the first rap records to be put onto vinyl. it is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping! this soul jazz records album is released on heavyweight triple vinyl (+ download code) with full notes.

after the highly successful first volume in the stag-o-lee dj set series we present volume 2. again an 80 minute set - this time by stuttgart based dj joe whirlypop. joe is a jack of all trades, someone who can make a wedding crowd dance, is well versed in new wave and punk and everything in between. but his biggest love is the 50’s and early 60’s. he is playing all over stuttgart for years, but these two discs reflect his monthly shake your bones residency at stuttgarts famous goldmarks club. expect all kinds of blues - from jump to rhythm & to raw electric.

continuing on from his odyssey ep released in 2013, ryan lee west aka rival consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. with sonne ryan creates music to structure itself around a pulse, rather than the pulse being the defining point.

next out on the ownlife imprint, a remix ep of what so far has been one of the most acclaimed releases from the label, the collaboration between leiras and svreca titled “the bridges i burn”. four well-known names to the electronic music scene has been invited to infuse their own characteristic sound onto the original tracks of own009. first out covering the a side is spanish reeko who skilfully plays with the rhythm tones, the main bleep synth sounds and his unique and particular way of texturizing the layers. a2, signed by british volte-face, gives the perfect balance between sounds and silence in a mysterious spaced out interpretation of “tilling ceramics”. flipping the record you will find new york veteran producer shawn o’sullivan under his 400ppm moniker, developing the structure of the track in a smooth way, melting the modular synthesis with the atmospheres found in the original version. last to contribute with his unlimited talent is swedish acronym, ho delivers an intense, tribalistic, spiral-maker remix, wrapping up this four tracker in the best possible way.

a split release on nation s sublabel, kode. two exclusive tracks from black meteoric star and d marc cantu. these songs will never be released anywhere else. 250 copies only. d marc cantu s rdds is an abstract production where hip hop meets electronix. a rare, unique document of class and sickness. black meteoric star closes the release with an homage to a legendary nyc neo film

only one month after the release of their first ep on mt on may 2018, vactrol park continue surprising, this time with a full lp in the shape of “music from the luminous void”.the album sees vp delve much deeper into more atmospheric realms. using modular synths and unexpected drum machine sequencing they leave the 4x4 beats behind in favor of off-world rhythms and ever growing bass. &#8232,,,,, starting with drops’s high frequency tension, laying on top of those heavy kick drums it keeps on growing and growing. from there it moves to the “end of the party” groove that is novikov’s notation, and its trippy monotonic rhythm. the a-side ends with the heavy sampled ambient track macbeth, bringing forward that mesmerizing flute solo by italian artist luca spagnoletti yet succeeding in avoiding the kitsch, and with a touch of class. &#8232,,,,,&#8232,,,,,the b-side delves even deeper into ambience and atmospheric muzak. starting with bells, that features again spagnoletti on flute. then we get into the real gems of the album - anstruther and glove. the first is a pure trip into modular psychedelia and repetitive jazzy-like drum rhythms, creating tension right from the start and plays with it throughout the track before decaying slowly into glove, which is in sense both the catharsis and the decompression session of the album. like a 2018 version of vangelis, this track’s soundscape will keep you dreaming with your eyes closed long after the album ends. &#8232,,,,,

vinyl 12- + 2 side a4 paper insert (what is cozmico? - an open letter by noema) did you ever wonder: what is this slow psychedelic dance music, mixing ethnic elements, krautrock, house and techno...? it s cozmico! and noema delivers three stunning new remixes for your next magic carpet ride! the ep kicks off with the spiced up cosmic classic jourouadou , where a driving middle eastern rhythm, arabic lyrics and a rolling bass lay the foundation for an ecstatic dance party, until a hypnotic synth leads you the way up to the tunisian night sky. 
flip the record and it s zeluf that hits you with a psychedelic-rock groove on b1, unfolding arabesque chanting, oud lines and a marimba like synth during the journey. on b2 you will find the underwater fireplace dub of gaye su akyol s dunya kaleska , upheaved from the depths of the bosphorus. this remix of the turkish singer-songwriter is a masterfully crafted journey with unforeseen twists and turns, mingling her band with sounds of trains and bonfire.

the return of bio rhythm label boss paul du lac aka mirror man, delivering a brand new collection of autistic jack trax for add.

arcane electronic duo violence, from quebec, canada, show their dark side on the four track 10-inch le flux de la nature. their underground spirit of new wave, french vocals, opaque and sometimes disturbing electronics reflect the complex rhythm of nature and intense human relationships. the spectacular cover art by manuel bisson complements the music perfectly.